METEORITES shortlisted for 2017 Queensland Literary Awards

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My Whitmore Press poetry collection, Meteorites, has made the shortlist for the Queensland Literary Awards in the poetry category, which is called the State Library of Queensland Poetry Collection – Judith Wright Calanthe Award.

The winners will be announced at a ceremony on October 4; you can view all the shortlisted authors in all the categories on the Queensland Literary Awards website.

You can purchase Meteorites now from the Whitmore Press ‘titles’ page.

(I think there’s even free shipping within Australia!)



Poetry Submissions Call for Foam:e Issue 15

I’m happy to say that I’m once again co-editing Foam:e online poetry journal with Angela Gardner.

The poetry submission window will be open from the start of September until the end of November. You can send us up to six poems in the one email. Head here for more information:

We look to include around 20 poets’ work in the one issue. Last year we received poems from almost 200 poets!

If you would like to review some new Australian poetry, please get in touch; we can show you our list of review copies and you can choose what you’d like to be sent.

Foam:e is published each year in March and is online and free. I love publishing in free, online journals —it makes it so much easier to direct people to a sample of my work!


Thanks, QPF

That’s the Queensland Poetry Festival over for another year. The event has such a warm vibe to it — many people from interstate and overseas say it’s unique. I like the festival because it gets me out of that (rather adolescent) attitude of engaging only with the type of poetry I know I already like. The QPF tries to bring all different styles together, and all different voices. Each year, I’m always shocked or moved by something extraordinary, and always come away with at least a few new obsessions.

So thanks QPF, and especially co-directors David and Annie, and all the interns, for making me like my home town more.

Here’s a picture that my friend, the author Jonathan Hadwen, took of me enjoying the DJ set of one Matt Hetherington (poet). This was during a little QPF zine fair down the road from the main festival venue. Again, just a beautiful vibe!


2017 Queensland Film Festival – now on!

I’ve just returned from the opening night of Queensland Film Festival, which runs for the next week at New Farm Cinemas in Brisbane.

This festival is organised by my UQ maties John Edmond and Huw Wamsley-Evans and they have done a huge job getting this event established in its third — and officially biggest —year.

Visit the QLDFF website for program details, or if you’re like me and need a proper booklet, print this one out! (Or just look at this one online and pick up a booklet for free at the cinema.)

Hope to see you there!

Foam:e online poetry journal – Issue 13

I’ve had the great pleasure of being the newest co-editor of the long-running annual online poetry journal, Foam:e.

Foam:e comes out every March and as well as including the work of around twenty poets in a typical issue, the journal, under the direction of founding editor Angela Gardner, always strives to support Australian poets by presenting reviews and essays that focus on recent local publications.

Also in Foam:e 13, Angela interviews me about my new Whitmore Press poetry collection, Meteorites, and you can read my ‘postcard’ blog about my recent trip to the Swedish island of Gotland, as well as neighbouring Fårö, famously the home of the late Ingmar Bergman.

The new issue of Foam:e is out now, is completely free, and can be accessed here:

Round-up of 2016 and plans for 2017

The year 2016 finally delivered to me the thing all artists need: a stable income. The income doesn’t need to be big enough to fund a huge project; I’m talking about regular money so that you don’t have to shed all your plumage from stress when something very normal like a lease agreement needs to be signed, or you need to update your once-every-twenty-years tetanus inoculation! If I am constantly fearful that I cannot support myself, it’s hard to concentrate on poetry (I may have ideas, but not the energy to develop them) and it’s hard to shake the remorse of others having to bail me out when things get tight; we’re not talking about millionaire benefactors here either (love you, Oprah!), we’re talking about my pensioner mum and dad. So in this respect, 2016 was great — by April I had two, complementary jobs at a university, jobs which I both enjoyed and considered as strengthening influences on my editing skills.

In December 2015, I won the Whitmore Press Manuscript Prize, so the first half of 2016 was spent on-and-off editing (transforming) the poetry manuscript that made up part of my PhD into a really strong collection-length book. I really went for it. I cut it down, changed the key drives of some poems, changed the endings of others, and compressed everything I could. As Martin Duwell says in his review of my book — the poems are barely recognisable in comparison to the ones he saw (as one of my PhD advisors) during my candidature. And for that I feel very proud because my aim was to step away from the inevitable stress of the thesis and make the poetry my own again.

From November 2015-March 2016 I had an office job at UQ to fill the employment wasteland that this time of year brings (anyone who teaches knows about the unforgiving money desert that comes with the close of semester 2). This was a hard job. There was no noodling about on Facebook involved, I can tell you that — it was constant slog. The admin people I worked with were high-level performers who had to know a lot of complicated rules and procedures and I admire them so much for what they still have to do every day. I put my head down and tried my best, and in my lunch hours I worked on something else — a funding application to the Australia Council for the Arts for a research trip to Scandinavia, including the Ingmar Bergman festival on the remote island of Fårö in the Baltic Sea.

At the end of April I received the news that my Australia Council application had been successful and in late June I jetted off to Helsinki, then to Sweden, then all across Denmark and a self-funded final leg up to Tromsø in the north of Norway (midnight sun territory). I think back on this and know how lucky I was in several ways— I received funding in a round when scores of arts organisations lost theirs due to government cuts; I was able to interrupt my university jobs without any drama (I had only just started and had no actual leave saved up); and during the trip, things just continued to fall into place and the discoveries were so numerous that I don’t think I’ll ever be able to make a comprehensive list of all the good fortune I had.


Back in Australia, Whitmore editor Anthony Lynch and I put the finishing touches on my book and approached writers Michelle Dicinoski and David McCooey to supply recommendation blurbs. On top of that my friend in Copenhagen, production designer Mark Walker, offered to create a cover image based on a still from Tarkovsky’s sci-fi classic, Stalker, which ties in with the title poem. Now, every time I glance at the book I get this big hit of satisfaction that it, as an object, above all displays connections with good, gifted, hearty people whom I admire.

On November 18 Meteorites was launched in Melbourne at the legendary Collected Works bookshop and Nathan Curnow gave the best launch speech I have ever heard!


So this year commences with the final preparation of the latest issue of Foam:e online poetry journal, of which I am a co-editor for the first time. Around 130 poets sent us up to six poems each, so thank you to everyone who submitted. I hope you all like our selections when you see the issue come out in March. We certainly leaned towards more experimental arrangements but basically, I think we liked anything a bit bold!

My key event of January, however, is the Brisbane launch of Meteorites. For a while I thought the Melbourne event would suffice, but so many Brisbanites kept asking and asking, so it’s going ahead! I would love to see you Avid Reader in West End on January 20. The event is free, but just for numbers we’d really appreciate it if you registered beforehand (so that we don’t run out of wine too early!)

As for the rest of the year, I am pretty sure I’ll continue in my university jobs, albeit with a slight reallocation in terms of the time spent in each one.

Blissfully, I have the power to tell you I have already secured a week in the Kelly Street Cottage in Hobart for some uninterrupted drafting time (and a couple of visits to the Lark whisky bar, perhaps).

I have just applied for a writing residency in Stockholm — thanks to Melissa Ashley for posting a list of residencies on her Facebook page! Who knows to where all our linking truly links!

And I suppose in general I am both attending to the prizes I must submit my book to this year, as well as developing a new manuscript, which I’d like to have a good handle on by, say, September. I have found A LOT of poetry drafts that I have completely forgotten about — and they’re not even old — they are lovingly transcribed and filed on my computer! Honestly, I think I need to investigate some kind of split personality situation that might be going on! I have written far more than I recall, which is obviously a wonderful surprise, even if it does sound a little nutty.

Thanks to my beautiful network of writers, researchers and other friends throughout the world who continue to be a great comfort, inspiration (yes, that word) and very useful brains trust as I  follow my nose into this new year! Good health and good luck to you all.