The 16th issue of Foam:e online poetry journal is now available.
Foam:e is completely free and open access.
This issue features poetry from Anna Jacobson, David Stavanger, Rose Hunter, Maria Takolander and many more.
Foam:e is published annually in March and is co-edited by myself, Carmen Leigh Keates, and founding editor Angela Gardner.
We’d love to consider your poetry for Issue 17 when the submission window opens again in September. Here is our submission info: https://foame.org/home/online-submissions-2/
The submission window for Foam:e online poetry journal is open again. You can submit up to six poems for consideration. International poets are welcome too.
Submission is through our WordPress site this time around (not email as we used to arrange it).
Have a look at our past issues before you select which poems to send — all our issues are online and free, so hop in.
Issue 16, which will be published in March 2019, will again be edited by Angela Gardner and me.
The submission window is open until November 30th.
Photo credits Jane Yule ‘Iceland’
I’m back from my latest ‘big trip’, my first since my 2016 ‘big trip’ that took in Gotland (Sweden), Tromsø (Norway), and big old drive right across Denmark.
This time, flying in and out of Helsinki, I visited Gotland again for the Bergman Week festival on Fårö, which this year marks Ingmar Bergman’s centenary (pictures of the opening ceremony for the festival are below; it was held at Fårö Kyrka, in whose grounds Bergman is now buried). But mainly I was just going back to Gotland because I love it there.
I do love Scandinavia in general. I don’t like shopping, or eating in restaurants (which is all you seem to get information about when you’re looking for destination info on anywhere in this era), but I do like being alone and just sitting somewhere outside in the white light, soaking up the vibes. Or sitting in a forest. Or visiting some Neolithic graves in the middle of nowhere.
This trip, I also went to Scotland and went right up to the Orkneys. This was suggested by a friend because, in his words, “if you like Scandinavian archaeological stuff, you should see Skara Brae!” The manner in which he said it hinted something about the Orkney sites being superior in their construction, or arrangement, or ambience, or something.
I had a feeling that this approach — ‘if you like this, you’ll like that’ — was going about things all wrong. I do not specifically ‘like archaeological stuff’ — it’s just that I encountered ancient megalithic sites on Gotland as part of a larger, solo travel experience that was definitely formative.
Ring of Brodgar (left) and Skara Brae (right). No picture of Maeshowe, as pictures were not allowed on our tour.
So, although yes, Skara Brae, and Maeshowe, and the Ring of Brodgar are astounding sites, the bulky administrative and tourist structures that they now exist within made it difficult for me to appreciate the visits. There was little opportunity to be alone or to soak up anything without a particularly infantile type of touristy guidance being superimposed over whatever you were trying to make direct contact with.
The Scandis seemed to have avoided most of these problems somehow, and even in museums, the organisation of things was more relaxed, and certainly aimed a little higher (even the things aimed at children were more intelligently arranged).
Give me good old, empty Gålrum Gravfält on Gotland any day, where I can walk among seven stone boat-graves, plus a whole bunch of cairn-hills, without seeing another tourist. Maybe I’ll get stared-down by the odd ram, but that’s about it. And certainly I can enjoy Gålrum without booking in advance for the dedicated shuttle bus and buying a ticket online! I’m so glad I revisited Gotland and Gålrum; I think it’s one of my favourite places in the world.
Gålrum Gravfält on Gotland, Sweden.
At least now I am pretty sure I would not enjoy visiting Stonehenge or the like; that whole tourist thing is not that way I like to get a feel for a place.
Next trip: less driving; less tourist stuff; more quiet; more time in one place; more wandering around alone; and more following my nose.
I’m holding a poetry workshop at the Queensland Writers Centre on October 13. I’m formulating a little writing process that we’ll use once then dispose of / transform quickly so that it’s a spark for a random leap, not a template to repeat.
Come along and give it a whirl.
Issue number 15 of Foam:e online poetry journal is now published.
This issue includes the work of around 20 poets, and everything is accessible for free. Poets include Jill Jones, Stuart Barnes, Shriram Sivaramakrishnan, Rose Hunter, Mark Prendergast, Les Wicks, Zenobia Frost, Ali Znaidi, Elaine Leong, David Stavanger, and many more.
As well as poetry, the issue contains a number of reviews including two that I have written: a piece on Andy Jackson’s new poetry collection, Music Our Bodies Can’t Hold, and Jonathan Hadwen’s book of vignettes, All That Wasted Heat.
I am also very pleased to say that the featured interview this issue is one I conducted with prolific poetry critic and editor, Martin Duwell. Duwell’s Australian Poetry Review website recently reached 1 million views, no small feat for a poetry criticism blog run by one writer (who is also, predictably, an extraordinarily devoted reader).
This new issue of Foam:e has seen us move platforms, so thank you for bearing with us while we ironed out a few formatting niggles at the start of the month.
That said, we’re pleased to say that all the past issues are viewable on the new site now, too.
Enjoy this avalanche of wonderful new poems.
The event will happen at the Red Box in the State Library of Queensland on February 9.
Other readers on the night will be Ryan O’Neill, Laura Elvery, Simon Groth, Grace Lucas Pennington, and Adam Hadley.
Tickets are available now for QWC members and then available to the general public from December 1. Book here.
I’m happy to be a contributor to The Best Australian Poems 2017 anthology, available through Black Inc. The poem appearing in the anthology is ‘To Paint the Inside of a Church’, which is from my Whitmore Press poetry collection, Meteorites.
This is the first time I’ve been back in this particular anthology since 2013 and it’s so good to have work in such a recognised and widely-distributed publication. My sincere thanks to the editor Sarah Holland-Batt.
My Whitmore Press poetry collection, Meteorites, has made the shortlist for the Queensland Literary Awards in the poetry category, which is called the State Library of Queensland Poetry Collection – Judith Wright Calanthe Award.
The winners will be announced at a ceremony on October 4; you can view all the shortlisted authors in all the categories on the Queensland Literary Awards website.
You can purchase Meteorites now from the Whitmore Press ‘titles’ page.
(I think there’s even free shipping within Australia!)